ABOUT

NIJINSKY IN ASYLUM
¡Olé!, 2014
Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.
PictureHephaestus. 2020. Photo by Ryan Prado, LaGuardia Performing Arts Center/Rough Draft Festival.
With all of our work we seek to challenge and empower. We believe that to challenge ideas in a space that welcomes reflection and rigor offers an opportunity to change one’s mind or to recommit to those ideas with newfound clarity. This clarity empowers us to put our ideas into action with confidence. We prioritize and celebrate this process.

Read about our Mission, Vision, and Values.
Read about our Community and Transparency commitments.

Productions

Our productions have taken on a variety of subjects. We have looked to the lives of artists including Vaslav Nijinsky (Nijinsky in Asylum), Mary Shelley and Ray Kurzweil (Frankenstein), Federico García Lorca and Salvador Dalí (¡Olé!), and the Brontë sisters (The Brontës). We have looked to complex society processes like revolution (Revolution in 1) and gentrification (Totally Wholesome Foods). Most recently we looked to the history of Federal Theatre Project (The Nobodies Who Were Everybody).
PictureThe Debates 2016, (2015 workshop)
In 2015 we began creating a series of shows entitled The Debates. These iterating adaptations of the political debates have performed around New York and surrounding states in the lead up to primary elections. NY City Lens wrote that, "Not only was The Debates—a play that amused and educated a full house at the Kraine Theater on the eve of the primary elections—about politics. It was politics." The Debates 2016 and The Debates 2020 looked to the presidential election, while The Debates 2021 looked to NYC's mayoral primary.

Timeline:

Cabarets

TIA cabarets delve into our productions’ themes more deeply. We invite artists in our community to create short performances interpreting a theme that unifies the night. We program the evening to emphasize contradictions among interpretations and have multiple intermissions where audience members and artists can discuss the work over food and drinks. Previous cabarets have looked at how death becomes memory (The Death / Memory Project), how the locations of our battles define them (The Battlegrounds Project), and how the national imagination is guided in the early parts of presidential campaign season (The Countdown Cabaret).

Timeline:

Cold Readings

PictureA Cold Reading, 2020
Our third core program is Cold Readings, where we invite our community to join us in reading and discussing plays. Similar to a book club, we read plays without the pressure of performance and cherish the opportunity to learn about our artform. The series has vastly grown since beginning in 2015, with frequent guest facilitators and new readers joining all the time.

Leadership

Artistic Directors: Paul Bedard & Katie Palmer
Managing Director: Kathryn Appleton
PR & Marketing Manager: Charlotte Dow
Grants & Fundraiser Coordinator: Adin Lenahan
Cold Reading Coordinator: Marcella Adams

Years in Review

  • 2023 - A year premiering The Nobodies Who Were Everybody
  • 2022 - A year of development with The FTP Cabaret and a workshop of The FTP Show.
  • 2021 - A year spent mostly online, with weekly Cold Readings and another virtual iteration of The Debates. The fall brought our first in-person production in a year and a half with Occupy Prescott.
  • 2020 - A year beginning with a cabaret and Hephaestus, then came the pandemic's start, weekly Cold Readings, and our first online production: The Debates 2020.
  • 2010-2019 - A look back at our first ten years.

Transparency Reports

Each year we release an overview of our financial workings: 2023, 2022, 2021, 2020. Learn more about our transparency commitments here.

More about Theater in Asylum