Katie here, with an attempt to gather up some favorite moments from 2020, following up on our lists of favorite books and music from the year.
I can think so clearly back to 365 days ago, when I was looking forward to all the things I thought 2020 was going to be, blissfully ignorant of all the things it would become. I had great plans: a few terrific trips, a 100+ person family reunion, school spring musicals I was ushering into existence.
It took many months, but I have let go of that alternative universe, and now live fully in the present. It has been a year of much smaller moments for me: a deep appreciation for the way the sunlight changes in my apartment; an extended visit with my sister in the summer; humbly expanding my participation in the march towards racial justice; a phone conversation on Election Day helping a woman in Michigan get to the polls; the sadness, memory, and catharsis that comes at a funeral; weekly gatherings to read and discuss plays and their themes.
This world is a mess. I take a bit of comfort in the knowledge that this world has always been a mess, and this year continued to expose more and more of that mess. But I truly believe 2020 can help us put the world back together again. Through the heartbreak and the chaos, we all have a few moments worth remembering: some big and profound, some small and delicate. Some fiery, some upsetting, some passionate, some subtle. Memories that become core to our sense of self, and memories that emerge without warning.
Take a look at some favorite 2020 memories crowd-sourced from the TIA community. I am so grateful to have gone through this year with all of you. I would have been lost without Theater in Asylum to keep me focused, committed, and processing. Thank you all for giving me—and each other—moments from 2020 that we’ll want to hold on to.
All my love,
Some of the TIA Community’s favorite moments from 2020
Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.