Faust is the story we need right now.12/14/2024 Dear Friend, As 2024 comes to a close, we feel immense gratitude for the community that makes Theater in Asylum’s work possible. Thank you for propelling our spaces to be vibrant springboards for new research- and ensemble-driven theater! Last year, your support made so much possible. In 2024, we:
Becoming a 501(c)(3) As you may remember, this was the major project we fundraised for last year, and the support you generated for this goal has been invaluable. Although the process is not yet complete, we hope it will be soon. Here’s what we’ve done so far:
Once the 501(c)(3) process is complete, we plan to properly launch our fundraiser (complete with Rick’s famous chocolate rye cookies). This will coincide with 2025 being our 15th anniversary! Looking to 2025As we enter a new year, we hope you’ll support Theater in Asylum, either once or as a monthly donor. With your support, 2025 will include:
Our focus in 2025: FAUST
The journey to create our next show began this year with an investigation of hope and where it comes from. How does someone remain hopeful when global leadership fails us and the siren call to nihilism sings all around? To us, the siren call began to look like a Mephistophelean offer once we read Goethe’s Faust, Marlowe’s Doctor Faustus, and Ed Simon’s The Devil’s Contract. We now see Faustian bargains are all around us as we continually encounter human suffering, and are asked to ignore it. ‘Fill your car and heat your home with fossil fuel.’ ‘Scroll here, click accept.’ ‘Walk past that unhoused person.’ ‘The world’s gone wrong, so just worry about yourself.’ Is it possible to survive these bargains with our moral compass and empathy intact? Faust is the story we need right now. The story follows a man who chooses to worry only about himself, making a deal with the devil, Mephistopheles, wherein his one and only soul is traded for power. But for how long can Faust—and we—escape payment? Can we repent, as Faust does in the Goethe version during his descent to Hell? With payment deferred in many bargains—most glaringly: climate change—what would repentance and repair even look like? How do we survive and make a better world when Mephistopheles is all around, tempting us with false power and the illusion of the “self-made man”? Who is Faust today? We posit that all of us are. We are all susceptible to the damnation that comes with the American worship of individualism. Yet, we assert, we are also all capable of repentance, reparation, and revolution. We, as a community and as a society, are bound to each other for worse and for better. We are each other’s best hope for survival, for thriving. That’s become the focus of Theater in Asylum’s next play. We presented the first experiment of this piece at The How to Survive the End of the World Cabaret. In 2025, we will explore the Faust myth even further, reading adaptations by Thomas Mann, Gertude Stein, and Vaclav Havel, among others. We will present a new short piece at our 2025 cabaret and also share a developmental workshop at the end of the year. We look towards premiering the full piece in 2026. We are so grateful for all that’s been made possible these past 14 years, and we look ahead to 2025 with eagerness and hope. Thank you so, so much. Peace, power, and love to you, Paul, Katie, Kathryn, and Theater in Asylum
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We reached our goal!1/16/2024 Thank You, Thank You, Thank You Thanks to your incredible support, our 2024 Fundraiser was a success! We raised $11,822.83 over the past month which will help us reach our goals for 2024, including:
We are so grateful to everyone who supported this year's campaign. Whether you donated money, offered a fundraiser perk, or just shared the campaign with your friends and family, we couldn't do this without you. Below are just some of the amazing folks who helped get us over the finish line: Beverly Abegg Eve & William Appleton Meghana Baliga Andrew Balmer Jake Beckhard Steven Bedard Sharlene Bedard Donna Blackmond Kelly Butler Rachel Casparian Amelia Castillo Alexandra Castro Kylie Christensen Trudi Cohen & John Bell Boxcutter Collective Emily Conley Farrah Crane Katie Dagon Jasmine Dobbs-Marsh Mary Downing Ann Farrell Martha Ferguson Mariah Freda Richard Fudge Summer Gan Kate Gazzaniga Mark Gordon John Graham Sarah Habib Chris Harcum Elizabeth Hess Cody Hom Benjamin Inbar Colleen Jenkins Martins Jukna-Parsons Samantha Keogh Joshua Krugman Marilyn Lawson Marcia Lazer Marcia Lazer Julia Levine Diana Levy Brooke Lieberwitz Efrem Mallach John P. McEneny Victor Milione Melissa Moschitto Melissa Mowry Brenda Otis Dave Palmer Alice Pencavel Maxine Phillips Lynn Radov Austin Regan Debra Register Rebecca Rice Mandy Robbins Jess and Bryan Rosenberg Raphael Royer Dominique Salerno Anne Shulock Julia & Mike Snider Nickerson Jaclynn Swope Bessie Taliaferro Noelle Teagno Alison Walter Pandora & John Wohler Lynette Wood Gennady Yusim Thank you for donations made in honor of Nicky Valdivia and Jeff Stone. And thank you to the 19 supporters who donated anonymously. Didn't get the chance to donate?
What's In Store for 202412/11/2023 Dear Friends, As 2023 comes to a close, we feel immense gratitude for the community that makes Theater in Asylum’s work possible. Thank YOU for propelling our spaces to be vibrant springboards for new research- and ensemble-driven theater! (👀 Look back at all you made possible in 2023, here.) With 2024 just around the corner, we’re thrilled to unveil our plans for our 14th year:
To make this all a reality, we’re launching our 2024 Fundraiser with a goal of $11,000. As always the majority of that money goes directly towards paying artists. Donations are tax-deductible and, as an extra thank you for donating, we have a number of lovely perks for you to choose from, including a tarot card reading and Rick’s famous cookies! We are so grateful for all that you have made possible these past 13 years, and we look ahead to 2024 with eagerness and hope. Thank you so, so much. Peace, power, and love to you, Paul, Katie, and Kathryn Thank you to our donors!3/12/2023 We are so incredibly grateful to everyone who donated to Theater in Asylum’s 2023 Fundraiser over the past month. Together, we raised $11,578 for our 2023 season, which will go towards the world premiere production of The Nobodies Who Were Everybody (formerly known as The FTP Show), more Cold Readings, pay increases for our artists, and much, much more. We think this season is going to be our best yet thanks to you and your generosity. Thank you, thank you again! Missed your chance to donate to the fundraiser but still want to contribute? Learn how to support Theater in Asylum at theaterinasylum.com/supportand donate any time here. Thank you to everyone who donated making our 2023 Season possible!
Beverly Abegg Laura Andersen Eve & William Appleton Trisha Beatty Scott Bedard Mike & Kelly Bedard John Bell & Trudi Cohen Judy Berger The Boxcutter Collective Farrah Crane Andrew Boyd Rachel Casparian Colleen Christi Katie Dagon Alexis DePersia-Norelli Jennifer Downes Mary Downing Martha Ferguson Anastasia Fort Lisa Fudge Helen & Jeff Friedman Kate Gazzaniga Eric Grunin Sarah Habib Gethsemane Herron-Coward Cody Hom Willie Johnson Martins Jukna-Parsons Chad Kean Samantha Keogh Joshua Krugman Marilyn Lawson Marcia Lazer Diana Levy Maggie Low Efrem Mallach Victor Milione Melissa Moschitto Helen O'Rourke Don Pflaster Maxine Phillips Austin Regan Charles Rice Jacob Rice Mandy Robbins Jess & Bryan Rosenberg Bessie Taliaferro Joseph Therrien Aria Umezawa Pandora & John Wohler Anna Wright Gennady Yusim and Thank you to the 28 anonymous heroes who donated. and Thank you for a donation made in loving memory of Jeff Stone. Categories
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Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.
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