THEATER IN ASYLUM

Hiring: Fundraising and Grants Coordinator

7/31/2022

 

About Theater in Asylum

Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.


Core programs include original productions; themed cabarets, presenting new work from our community; and Cold Readings, a program to read and discuss published plays.

Community is of utmost importance to Theater in Asylum. Some of our strategies for community safety and empowerment may be found here. See Theater in Asylum’s transparency commitments and company pay structure here.

About The Position: Fundraising and Grants Coordinator

2023 will be a big year for Theater in Asylum, and we have a lot of money to raise in Fall 2022 to make it happen. With multiple grants due in September and October and our fundraising launching in December, we are looking to bring on a new staff member to help coordinate it all. We are not looking for someone with connections to funding, but instead someone who can help us make all our fundraising efforts happen. This includes keeping us on track with deadlines, helping pull together materials for grants applications, following up with perk-providers, and thanking donors. While this role could grow in the future to a more traditional development position, at present we are looking for a coordinator/project manager for our fundraising efforts.

Key Responsibilities

  1. Working with TIA staff to submit 3-5 grants this fall. Managing the timelines of each grant and the overall schedule. This entails setting up documents, pulling media, writing, editing, proofing etc.
  2. Working with TIA staff to plan, launch, run, and follow up on its annual fundraiser. This includes determining overall messaging (text, images, video), working with perk providers, and making sure donors get what they are owed after the fundraiser ends.
  3. Coordinating with TIA’s Marketing Manager on fundraising publicity, as well as on our Giving Tuesday messaging (in which we encourage our community to support other organizations).

About You

  • Kind, creative, and a team player.
  • Enthusiastic about Theater in Asylum’s mission to use theater to challenge and empower our community.
  • Organized and available to carry out plans (and stick to deadlines) for fundraising success.
  • Familiar with fundraising for small theater companies (borough grants, crowdfunding, etc).
  • Familiar with Zoom, Gmail, and Google Docs. Familiar with Fractured Atlas and its fundraising platform a plus.
  • Fully vaccinated against Covid-19.

Logistics

  • Start: Immediately.
  • End: February 2023.
  • Opportunity for extension and growth in role: To be discussed in January 2023.
  • Pay: $300 honorarium, paid in two installments.
    • TIA’s 2022 pay days: 10/15/22, 12/15/22.
    • Theater in Asylum is committed to budget transparency. See company pay structure here.
  • The position is remote;  regular meetings with the TIA staff over Zoom.
  • Will work most closely with Paul Bedard and Katie Palmer (Artistic Directors), Kathryn Appleton (Managing Director), and Charlotte Dow (PR and Marketing Manager)
  • This position will be considered an independent contractor of Theater in Asylum and as such, no taxes will be withheld.

To Apply

Please send a resume and a cover letter to info@theaterinasylum.com. In the letter, please tell us:
  • A little about yourself.
  • What is your background, if any, with Theater in Asylum?
  • What drew you to apply for this position? Or what excites you about it?

Theater in Asylum believes in Equal Opportunity Collaboration. We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity and expression, class, physical ability, and sexual orientation to apply.

Thank you!
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Seeking actor to complete ensemble for Occupy Prescott

8/23/2021

 
Overview
  • Theater in Asylum is seeking one actor to complete the ensemble of Occupy Prescott.
  • Occupy Prescott is written by Andy Boyd and will be co-directed by Paul Bedard and Katie Palmer. Theater in Asylum will produce.
  • All performances will be outdoors at Jalopy in Red Hook, Brooklyn.
  • Show dates: Saturdays and Sundays, October 16, 17, 23, 24, 30, 31, 2021. 3pm shows. Possible 12pm shows could be added.
  • Rehearsal dates: September 15-October 15, 2021 (online and in-person, nights and weekends)
  • Seeking 1 actor: woman of Asian descent, age 30 and above.
  • Unfortunately we are not able to work with actors who are in Actors Equity.
  • Compensation: $300 honorarium, all show collaborators paid equally regardless of role.
  • Audition date & location: Thursday, August 26th from 3:30-5:30pm. ART/NY South Oxford Space 138 South Oxford Street, Brooklyn, NY 11217
  • To submit, please email a headshot and resume to info@theaterinasylum.com 
  • Theater in Asylum’s website hosts our Community and Transparency commitments.

About Occupy Prescott
10 years ago this fall, activists gathered in lower Manhattan to peacefully occupy Zuccotti Park and to declare opposition to an economic system clearly inadequate for the majority of Americans, the 99%. Occupy Wall Street galvanized people around the world and inspired hundreds of activist occupations, big and small, united in a call to radically rethink the economic order.

Playwright Andy Boyd hones in on Prescott, Arizona to follow five Occupiers in their efforts to change their town and the world. They broadly agree that the one percent is too powerful, but agreement breaks down as they search for specifics. Reaching consensus on what a better world looks like—and how to get there—is frequently frustrating and rarely glamorous. Never easy, but urgently necessary. On the 10th anniversary of the rallying cry heard round the world, we are thrilled to produce the prescient and hopeful play: Occupy Prescott.

The Role we’re looking to fill
We are looking for a woman-identifying-or-presenting actor, aged 30+, of east-Asian descent, to play Connie, whom the play describes as a Japanese American woman in her sixties.

When Connie introduces herself to the group, she explains that... "I heard about acid and Mao and the Grateful Dead all in one day, ran away from home, and joined a commune." After recounting the disillusionment of the era she continues, "So I did what a lot of us did, us ex-hippies. Lit out for the territories, to the Berkshires or Taos or Austin or Prescott and hunkered down, tried to keep the fire burning until the next time America was ready to try out some new ideas. There's this line by Lawrence Ferlinghetti: 'I am perpetually awaiting a rebirth of wonder.' I have been waiting for forty years."

Of everyone in the group, she has the most experience working to change the world. She has seen toxic interpersonal dynamics destroy promising coalitions, but she has also experienced the joy of true community. She relentlessly presses her compatriots to think more radically (meaning from the root) about what is wrong with this country. She presses the group to mean it, to be actually revolutionary with the world they're envisioning and fighting for.

About the Audition
Dates: Thursday, August 26th from 3:30-5:30pm.
Location: ART/NY South Oxford Space: 138 South Oxford Street, Brooklyn, NY 11217

Please prepare a 1-2 minute monologue. You may be asked to stay and read a side, if time allows.

Theater in Asylum seeks to make this audition as easy and friendly as possible. When you arrive, you can expect someone to greet you and show you to a waiting area. Once it is your turn, you’ll be met by Andy (the playwright), and Katie (one of the directors). We will all be on our feet and eager to work with you. Please prepare a short contemporary monologue (1-2 minutes). If you’re cool with it, we would love to play with it a little bit after you present it. We anticipate each audition taking between five and ten minutes.

To Submit
Please send a headshot and resume to info@theaterinasylum.com.

About the Production
Occupy Prescott will perform outdoors at Jalopy in Red Hook, Brooklyn. All performances will be matinees, with 3pm shows (additional 12pm shows possible), Saturdays and Sundays, October 16-31, 2021. In the event of a rained out performance, a 12pm show may be added on another show day.

Occupy Prescott is written by Andy Boyd, and co-directed by Paul Bedard and Katie Palmer of Theater in Asylum. Producing work is shared by Andy, Paul, and Katie, as well as Theater in Asylum’s managing director Kathryn Appleton and community engagement manager Hilarie Spangler.

About the Process
Occupy Prescott will rehearse September 15 - October 15, 2021 with a combination of online and in-person rehearsals. Online rehearsals (table work, etc) will utilize Zoom. In-person rehearsals will typically take place in Brooklyn either at Jalopy or at ART/NY’s South Oxford Space. We will do our absolute best to work around everyone’s schedule (day jobs, other commitments, etc) and anticipate rehearsals to be nights and weekends.

To protect ourselves from the ongoing pandemic, we are requiring that all collaborators and audience members be vaccinated against Covid-19. The cast will also test weekly and mask when rehearsing indoors.

About You
Theater in Asylum prizes community and seeks to create a safe and invigorating environment for all. We are looking for friendly, respectful, and caring folks to join our community. Occupy Prescott will have a fast process and our hope is to foster a strong team to present the most compelling possible work to our audience.

All applicants must be vaccinated against Covid-19.

Unfortunately due to the size of our budget, we are not able to work with union artists, including those in Actors Equity.

Theater in Asylum believes in Equal Opportunity Collaboration. We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity or expression, class, physical ability, and sexual orientation to apply.

Compensation
All performers will receive a $300 honorarium. This position will be considered an independent contractor of Theater in Asylum.

Please note that all collaborators on Occupy Prescott, regardless of role, will be paid equally. We know that this honorarium is less than you (and we!) are worth. We understand that this is not a living wage and certainly limits things. We commit to do everything we can to respect and support folks to make the process as sustainable and rewarding as possible for all of us.

Theater in Asylum values transparency and always shares the complete show budget with signed-on collaborators. See our full Transparency commitments here.

About Theater in Asylum
Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.

Core programs include original productions; themed cabarets, presenting new work from our community; and Cold Readings, a program to read and discuss published plays.

Community is of utmost importance to Theater in Asylum and some of our strategies for community safety and empowerment may be found here.

Theater in Asylum’s Community Agreements
Theater in Asylum strives to prevent harm in all of our spaces. We acknowledge that multiple systems of oppression intersect and permeate our lives (including racism, sexism, classism, ableism, and others). While we know that no space is ever 100% safe for all people, we hope to make our spaces safer with these Community Agreements. We ask everyone entering our space to, in good faith:
  1. Take care of ourselves, and each other. We know that everyone has different needs, and we strive to honor and respect those needs. In addition, we affirm that we all have the agency to leave a Theater in Asylum event whenever we need to, no need to explain.
  2. Be mindful of difference, and value it. We acknowledge that each of us moves through the world with different privileges and obstacles. We honor our differences and respect each other's experiences and identities, including pronouns. We use "I" statements, and we resist assumptions and generalizations about experiences that are not our own. 
  3. Make space / take space. If we are someone who tends to speak a lot, or are of an identity that has been historically privileged to take space, we challenge ourselves to make space for others. If we are someone who tends not to speak a lot, or are of an identity that has been historically discouraged from taking space, we challenge ourselves to take more space. 
  4. Assume good intent while acknowledging impact. We strive to give each other grace and work together if harm occurs.
  5. Strive for growth as individuals and as a community. We listen, learn, and love with intention. We follow Maya Angelou’s advice to, “Do the best you can until you know better. Then when you know better, do better.”

If any of these Community Agreements are not being lived up to, or if there is something Theater in Asylum can do to support your full engagement, please know that dialogue is welcome. See leadership contact information and an anonymous contact form at theaterinasylum.com/community.


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Seeking actors for Occupy Prescott

7/15/2021

 
Overview
  • Theater in Asylum is seeking actors for Occupy Prescott.
  • Occupy Prescott is written by Andy Boyd and will be co-directed by Paul Bedard and Katie Palmer. Theater in Asylum will produce.
  • All performances will be outdoors at Jalopy in Red Hook, Brooklyn.
  • Show dates: Saturdays and Sundays, October 16, 17, 23, 24, 30, 31, 2021. 3pm shows. Possible 12pm shows could be added.
  • Rehearsal dates: September 15-October 15, 2021 (online and in-person in Brooklyn)
  • Seeking 5 actors.
  • Compensation: $300 honorarium, all show collaborators paid equally regardless of role.
  • Audition date & location: Sunday, July 25, 2021. 10 minute slots from 1:30pm-5:30pm at South Oxford Space (138 S Oxford St, Brooklyn, NY 11217) 
  • Callback date & location: Thursday, July 29, 2021. TBD time slot length from 2pm-5pm at South Oxford Space (138 S Oxford St, Brooklyn, NY 11217)
  • To submit, emailed a headshot, resume, and indication of what role you would like to audition for to info@theaterinasylum.com 
  • Theater in Asylum’s website hosts out Community and Transparency commitment.

About Occupy Prescott
10 years ago this fall, activists gathered in lower Manhattan to peacefully occupy Zuccotti Park and to declare opposition to an economic system clearly inadequate for the majority of Americans, the 99%. Occupy Wall Street galvanized people around the world and inspired hundreds of activist occupations, big and small, united in a call to radically rethink the economic order.

Playwright Andy Boyd hones in on Prescott, Arizona to follow five Occupiers in their efforts to change their town and the world. They broadly agree that the one percent is too powerful, but agreement breaks down as they search for specifics. Reaching consensus on what a better world looks like—and how to get there—is frequently frustrating and rarely glamorous. Never easy, but urgently necessary. On the 10th anniversary of the rallying cry heard round the world, we are thrilled to produce the prescient and hopeful play: Occupy Prescott.

The Roles we’re looking to fill
  • Father Carlos, man, thirties, Latino. 
  • Dolores, woman, thirties, Latina.
  • Devin, man, twenties, White.
  • Rex, man, forties, White.
  • Connie, woman, sixties, Japanese American.


Father Carlos. Man, thirties, Latino.

Father Carlos opens the play with, “How can it be that in the wealthiest country in the history of the world millions of children go to bed hungry?” As a Catholic priest, he carries the strength, comfort, and clarity he feels from his faith into every situation. He knows how to lead a group and also the importance of letting the group find its way without a leader.

He is an optimist and is inspired by people coming together. When recounting a summer he spent as an organizer with farm workers, he exclaims that, “...those meetings were amazing! I’d never seen anything like it! People would sing songs and put on skits, people who never would have dreamed of speaking in public would tell their stories and everyone would listen like it was the President speaking. They knew that solidarity was their only weapon against the growers.”


Dolores. Woman, thirties, Latina.

When asked why Dolores came to Occupy Prescott, after hearing grand politics from some of the others, she answers simply, “Debt.” Dolores is a single mother of two and struggling to keep her house, but optimistic that Occupy really can change things. She brings questions and an urgent energy to the movement. She wants to be helpful and also keep things moving. 

At the play’s end, after all the frustration of five people trying to reach consensus and “solve income inequality,” she concludes that “The best parts of Occupy Prescott were when we were singing songs, telling stories, doing yoga, eating soup. I think if we spent, like, a year just doing those things, maybe after that we would have been ready to draft a statement. Or maybe not, I don’t know. Maybe democracy is impossible.”


Devin. Man, twenties, white.

Devin is a young, passionate anarchist punk. Thanks to his exhaustive reading, he thinks he knows what’s wrong with this country and how to fix it. Occupy is a chance to put that theory into practice and over the course of the play, he learns that knowing all the theory does not mean knowing all the answers.

Funny and eager, Devin wants to make a difference and make sure folks are serious about the radical change the Occupy movement is asking for: “I think one thing we have to rethink is the idea of representative democracy. You asked us how we could feel so alienated from our government if we’re a democracy. Well, maybe because we’re not a democracy!... Okay well honestly I’m not even sure if that’s the right word, because even in a democracy the majority gets to impose their will on the minority, which obviously I don’t agree with. Representative democracy will never really work because as soon as you let someone else speak for you you’re not really a democracy. That’s why I’m an anarchist.”


Rex. Man, forties, white.

Rex is a rancher; his land is his livelihood and his one great love in the world in the seven years since his wife passed. A government he sees as intrusive and stupid and a healthcare system he has experienced as needlessly cruel, both feel to him like impingements on his freedom. He is what was once called a “compassionate conservative,” a small-government libertarian unaccustomed to working in groups. He believes in neighbors having each other’s backs and loves sharing his home grown kale with new friends. He refuses to let people like him remain invisible within the 99%.

“There’s a lot of conservatives that aren’t in the one percent. And we’re suffering just like you. You think only liberals lost their houses in the financial crisis? You think you’re the only ones struggling to get by, who can’t afford healthcare or housing or college? Just because we don’t agree with your solutions doesn’t mean we don’t have your same problems."


Connie. Woman, sixties, Japanese American.

When Connie introduces herself to the group, she explains that... "I heard about acid and Mao and the Grateful Dead all in one day, ran away from home, and joined a commune." After recounting the disillusionment of the era she continues, "So I did what a lot of us did, us ex-hippies. Lit out for the territories, to the Berkshires or Taos or Austin or Prescott and hunkered down, tried to keep the fire burning until the next time America was ready to try out some new ideas. There's this line by Lawrence Ferlinghetti: 'I am perpetually awaiting a rebirth of wonder.' I have been waiting for forty years."

Of everyone in the group, she has the most experience working to change the world. She has seen toxic interpersonal dynamics destroy promising coalitions, but she has also experienced the joy of true community. She relentlessly presses her compatriots to think more radically (meaning from the root) about what is wrong with this country. She presses the group to mean it, to be actually revolutionary with the world they're envisioning and fighting for. 


About the Production
Occupy Prescott will perform outdoors at Jalopy in Red Hook, Brooklyn. All performances will be matinees, with 3pm shows (additional 12pm shows possible), Saturdays and Sundays, October 16-31, 2021. In the event of a rained out performance, a 12pm show may be added on another show day.

Occupy Prescott is written by Andy Boyd, and co-directed by Paul Bedard and Katie Palmer of Theater in Asylum. Producing work is shared by Andy, Paul, and Katie, as well as Theater in Asylum’s managing director Kathryn Appleton and community engagement manager Hilarie Spangler.

About the Process
Occupy Prescott will rehearse September 15 - October 15, 2021 with a combination of online and in-person rehearsals. Online rehearsals (table work, etc) will utilize Zoom. In-person rehearsals will typically take place in Brooklyn either at Jalopy or at ART/NY’s South Oxford Space. We will do our absolute best to work around everyone’s schedule (day jobs, other commitments, etc) and anticipate rehearsals to be a variety of different times of day.


About You
Theater in Asylum prizes community and seeks to create a safe and invigorating environment for all. We are looking for friendly, respectful, and caring folks to join our community. Occupy Prescott will have a fast process and our hope is to foster a strong team to present the most compelling possible work to our audience.

Unfortunately due to the size of our budget, we are not able to work with actors affiliated with Actors Equity.

Theater in Asylum believes in Equal Opportunity Collaboration. We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity or expression, class, physical ability, and sexual orientation to apply.

Compensation
All performers will receive a $300 honorarium. This position will be considered an independent contractor of Theater in Asylum.

Please note that all collaborators on Occupy Prescott, regardless of role, will be paid equally. We know that this honorarium is less than you (and we!) are worth. We understand that this is not a living wage and certainly limits things. We commit to do everything we can to respect and support folks to make the process as sustainable and rewarding as possible for all of us.

Theater in Asylum values transparency and always shares the complete show budget with signed-on collaborators. See our full Transparency commitments here.

About the Audition
Dates: Sunday, July 25, 2021. 10 minute slots from 1:30-5:30pm.
Location: South Oxford Space (138 S Oxford St, Brooklyn, NY 11217)

Theater in Asylum seeks to make this audition as easy and friendly as possible. When you arrive, you can expect someone to greet you and show you to a waiting area. Once it is your turn, you’ll be met by Andy (the playwright), Paul and Katie (the directors), as well as Cody (the stage manager). We will all be on our feet and eager to work with you. Please prepare a short contemporary monologue (1-2 minutes). If you’re cool with it, we would love to play with it a little bit after you present it. We anticipate each audition taking between five and ten minutes.

Call Backs
We anticipate calling small groups back on Thursday, July 29, 2021. Time slot length to be determined, booked between 2pm and 5pm at South Oxford Space (138 S Oxford St, Brooklyn, NY 11217).

To Submit
Please send a headshot and resume to info@theaterinasylum.com. Please let us know for which role you are seeking to audition.


About Theater in Asylum
Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.

Core programs include original productions; themed cabarets, presenting new work from our community; and Cold Readings, a program to read and discuss published plays.

Community is of utmost importance to Theater in Asylum and some of our strategies for community safety and empowerment may be found here.

Theater in Asylum’s Community Agreements
Theater in Asylum strives to prevent harm in all of our spaces. We acknowledge that multiple systems of oppression intersect and permeate our lives (including racism, sexism, classism, ableism, and others). While we know that no space is ever 100% safe for all people, we hope to make our spaces safer with these Community Agreements. We ask everyone entering our space to, in good faith:
  1. Take care of ourselves, and each other. We know that everyone has different needs, and we strive to honor and respect those needs. In addition, we affirm that we all have the agency to leave a Theater in Asylum event whenever we need to, no need to explain.
  2. Be mindful of difference, and value it. We acknowledge that each of us moves through the world with different privileges and obstacles. We honor our differences and respect each other's experiences and identities, including pronouns. We use "I" statements, and we resist assumptions and generalizations about experiences that are not our own. 
  3. Make space / take space. If we are someone who tends to speak a lot, or are of an identity that has been historically privileged to take space, we challenge ourselves to make space for others. If we are someone who tends not to speak a lot, or are of an identity that has been historically discouraged from taking space, we challenge ourselves to take more space. 
  4. Assume good intent while acknowledging impact. We strive to give each other grace and work together if harm occurs.
  5. Strive for growth as individuals and as a community. We listen, learn, and love with intention. We follow Maya Angelou’s advice to, “Do the best you can until you know better. Then when you know better, do better.”
If any of these Community Agreements are not being lived up to, or if there is something Theater in Asylum can do to support your full engagement, please know that dialogue is welcome. See leadership contact information and an anonymous contact form at theaterinasylum.com/community.

Thank you!
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Hiring: Video Designer

4/5/2021

 
Theater in Asylum is seeking a video designer for The Debates 2021.

About Theater in Asylum
Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.

Core programs include original productions; themed cabarets, presenting new work from our community; and Cold Readings, a program to read and discuss published plays.

Community is of utmost importance to Theater in Asylum and some of our strategies for community safety and empowerment may be found here.

About The Debates
The Debates 2021 will be our fourth iteration of The Debates. While in 2016 and 2020 we focused on the presidential races, this year we turn to New York City’s Democratic primaries and the conversation around what we want our city to be. New Yorkers will soon elect a new mayor, comptroller, and many city council members. As in past years, we will host many events including debate watch parties, political analysis meetings, scripting sessions, and finally rehearsals and a performance. Our process will culminate with a get-out-the-vote effort before the NYC primary on June 22, 2021.

What does The Debates actually look like? The show aims to tell the story of the election and illuminate the candidates clearly and accessibly, breaking down the political speech and spin. Some scenes are mimicked reproductions of moments on the campaign trail, while other scenes are invented, providing context or exploring the history of a policy position. We hope that our process and show will demystify the candidates and issues, ultimately emboldening the voter. With our unique blend of mimicry, abstraction, and earnest curiosity, we seek to illuminate the candidates and the issues to empower the voters of New York City.   

About The Position: Video Designer
The Debates 2021 will be a hybrid show with both live and pre-recorded scenes. Pre-recorded scenes will be filmed both in rehearsal rooms and on-location (for example: the subway system or the steps of city hall). Live scenes will have the actors in their homes performing on Zoom. The performance will oscillate between these live and pre-recorded scenes. In a Video Designer, we are looking for a collaborator to help guide that process and differentiate what can/should be live or prerecorded. While we have ample experience making plays, we crave collaboration with someone who is both knowledgeable and enthusiastic about video. This role will fit somewhere between the roles of a traditional video designer, a videographer, and an editor.

Responsibilities
  • Work with the directors to film the pre-recorded scenes (we are intending to use iPhones as well as auxiliary microphones for filming)
  • Edit footage, potentially both footage of candidates and footage we have filmed ourselves
  • Create and apply graphics to videos (especially title cards)
  • Advise the actors as they prepare for live scenes in their apartments
  • Manage and organize the video files for the show

About You
  • Passionate about New York City and its politics.
  • Passionate about theater and our mission to bring compelling and useful work to audiences.
  • Skilled and enthusiastic about video production, particularly how video and theater can work together.
  • Comfortable working with and editing video files
  • Familiar with Zoom, iMovie, and Google Docs
  • An enthusiastic team member. The Debates is a huge undertaking and it’ll take 100% of the full team!
  • A great communicator
  • Commitment to keeping the project non-biased with regard to candidates. The Debates 2021 is focusing on the Democratic primaries and seeking a diversity of political opinion in our rooms and in the show. We don’t want to tell audiences who to vote for, but instead illuminate the options.

Logistics
  • Start: As soon as possible
  • End: Video work will finish June 1, 2021.
  • Regular meeting with the directors over Zoom.
  • Filming pre-recorded scenes mid-May in-person.
  • Pay: $200 honorarium.
    • Please note that all collaborators on The Debates 2021, regardless of role, are paid the same. We know that this honorarium is less than you (and we!) are worth. We understand that this is not a living wage and certainly limits things. We commit to do everything we can to respect and support folks whom we know have multiple jobs. We're right there with you and seek to make a sustainable, rewarding experience for all of us.
  • This position will be considered an independent contractor of Theater in Asylum.

Safety during the  Pandemic
We want to ensure that everyone is both safe and supported in this work. Currently, TIA is conducting all of its activities on Zoom. While the audience-events for The Debates 2021 will be on Zoom, we do plan to film pre-recorded scenes together, in-person. We are keeping safety top-of-mind and invite all collaborators to a discussion of safety so that we are all safe and comfortable with how we gather.

To Apply
  • Please send a resume and a cover letter to info@theaterinasylum.com. In the letter, please tell us:
    • A little about yourself.
    • What is your experience with theater video-work, or film?
    • We’d love to know a little about your relationship with NYC politics or politics more generally.

Theater in Asylum believes in Equal Opportunity Collaboration. We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity or expression, class, physical ability, and sexual orientation to apply.

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Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.

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