Theater in Asylum believes that transparency enables the sharing of power and responsibility. We commit to being open with how company decisions are made and money is spent. Below please find an overview of our finances in 2021. This is also on our website’s transparency page, a page we launched earlier this year as a way to showcase a snapshot of our finances and decision-making.

We are so appreciative of our community, who has helped us organize our company, our budgets, and our work. We invite feedback (contact info on our Community page) as to how we can make Theater in Asylum more transparent and fruitful for all.

Thank you,
Paul, Katie, and Kathryn
Theater in Asylum

Dear friends,

2021 has been such a year. Struggles are everywhere but so are people and organizations working to make things better. Each year on Giving Tuesday, Theater in Asylum looks back at all the organizations we’ve amplified throughout the year in our Cold Readings series. One organization we have continually returned to as we read our way through The Golden Collection is the National Black Theatre (NBT).

NBT’s mission is:

1. To produce transformational and dialogue-generative theatre that successfully shifts inaccuracies around African Americans' cultural identity by telling authentic, intersectional stories of Black life.
2. To use theatre as a means to educate, enrich, entertain, empower and inform national consciousness around the social issues impacting our communities.
3. To provide a courageous and supportive space for artists of the Black diaspora to hone their entrepreneurial spirit and articulate the complexity, beauty and artistic excellence intrinsic in how we experience the world through their craft—acting, directing, producing, creative placemaking, designing and/or playwriting.

This Giving Tuesday, we ask you to consider supporting the National Black Theatre and/or any of the organizations we have highlighted this year. Below, see a loosely-categorized list of heroes who are doing the urgent, necessary, good work of making our world more just.

Thank you so much. Please take care of yourselves and each other.

Peace, power, and love to you,
Paul, Katie, Kathryn, and Hilarie


Making and Spreading Art

• Broken Box Mime Theater (BKBX) is a contemporary physical theater company that tells original stories beyond language barrier. Set to rich lighting and a heart-thumping soundtrack, BKBX’s narratives range from realistic to metaphorical, heart-wrenching to hilarious, and cinematic to intimate, held together by a dedication to the empowered imagination and the collective artistic voice of our diverse company. Based in NYC and founded in 2011, BKBX is reimagining the medium for contemporary audiences, redefining mime through the lens of US-American theater.
• Irish Arts Center (IAC), founded in 1972 and based in Hell’s Kitchen, New York City, is a home for artists and audiences of all backgrounds who share a passion or appreciation for the evolving arts and culture of contemporary Ireland and Irish America. IAC presents, develops, and celebrates work from established and emerging artists and cultural practitioners, providing audiences with emotionally and intellectually engaging experiences in an environment of Irish hospitality. Steeped in grassroots traditions, IAC also provides community education programs and access to the arts for people of all ages and ethnic, racial, and socioeconomic backgrounds.
• Looking for Lilith (LFL) is an ensemble theatre company that creates productions and programming through re-examining history and questioning today from women’s perspectives, a practice that frequently uncovers unheard voices. LFL productions and programming serve adults, youth and children locally, nationally and internationally.
• The Negro Ensemble Company's mission is to provide African-American, African and Caribbean professional artists with an opportunity to learn, to work, to grow and to be nurtured in the performing arts. The overall mission of the NEC is to present live theatre performances by and about black people to a culturally diverse audience that is often under served by the theatrical community.
  
• Sound Thinking NYC empowers young people as they explore how to turn their passion for music into a possible profession in New York City's thriving music industry. Addressing gender equity and building leadership skills in the music industry is a core part of this summer program that includes hands-on activities in music production and field trips to venues and sound production studios.
• The Sugar Hill Children's Museum of Art & Storytelling in Sugar Hill (also known as Upper Harlem) in New York City. Their mission is to provide their culturally rich neighborhood with a space where children and their families grow and learn about Sugar Hill, and about the world at large, through intergenerational dialogue with artists, art and storytelling. Designed to nurture the curiosity and creative spirit of three- to eight-year-old children, Sugar Hill Children's Museum of Art & Storytelling provides opportunities to grow as both author and audience, as children engage with the work of accomplished artists and storytellers, and create and share their own.
• Together in Dance uses dance and musical theater to empower individuals to use their creativity and work collaboratively to connect to the world around them. Together in Dance builds community among students, families, educators, and other professionals who learn together so that the arts continue to be an integral part of their lives.

Empowering People and Advocating for a Better World

• Advocates for Indigenous California Language Survival (AICLS) fosters the restoration and revival of indigenous California language so that they may be retained as a permanent part of the living cultures of native California.
• American Indian Community House (AICH) was founded in 1969, by Native American volunteers as a community-based organization, mandated to improve the status of Native Americans, and to foster inter-cultural understanding.
• Asian Americans Advancing Justice (AAJC) works to advance the human and civil rights of Asian Americans, and build and promote a fair and equitable society for all. AAJC is one of the nation's leading experts on issues of importance to the Asian American community including: affirmative action, anti-Asian violence prevention/race relations, census, immigrant rights, immigration, language access, television diversity and voting rights.
• The Audre Lorde Project (ALP) is a Lesbian, Gay, Bisexual, Two Spirit, Trans and Gender Non Conforming People of Color center for community organizing, focusing on the New York City area. Through mobilization, education and capacity-building, ALP works for community wellness and progressive social and economic justice. Committed to struggling across differences, they seek to responsibly reflect, represent and serve our various communities.
• Black Urban Growers (BUGS) is an organization committed to building networks and community support for growers in both urban and rural settings. Through education and advocacy around food and farm issues, BUGS nurtures collective Black leadership to ensure a seat at the table for Black people.
• The Coalition to Stop Gun Violence (CSGV) develops and advocates for evidence-based solutions to reduce gun injury and death in all its forms. CSGV is countering the gun lobby through cutting-edge policy development and aggressive advocacy. Their commitment to addressing gun violence in all its forms and advocating for at-risk individuals sets us apart.
• Color of Change (CoC) leads campaigns that build real power for Black communities. CoC challenges injustice, holds corporate and political leaders accountable, commissions game-changing research on systems of inequality, and advances solutions for racial justice that can transform our world.
• Communities United Against Police Brutality (CUAPB) is a Twin-Cities based organization that was created to deal with police brutality on an ongoing basis. CUAPB works on the day-to-day abuses as well as taking on the more extreme cases. Their overriding goal is to create a climate of resistance to abuse of authority by police organizations and to empower local people with a structure that can take on police brutality and actually bring it to an end. CUAPB provides support for survivors of police brutality and families of victims so they can reclaim their dignity and join the struggle to end police brutality.
• Communities United for Police Reform (CPR) is an unprecedented campaign to end discriminatory policing practices in New York, bringing together a movement of community members, lawyers, researchers and activists to work for change. CPR works with communities and on the streets, educating people about their rights; and in the courts and on the steps of City Hall and the state capitol, demanding change to the NYPD -- until these policies end.
• Fair Fight promotes fair elections around the country, encourages voter participation in elections, and educates voters about elections and their voting rights. Fair Fight Action brings awareness to the public on election reform, advocates for election reform at all levels, and engages in other voter education programs and communications.
• The Mars Generation (TMG) is an innovative nonprofit founded on the backbone of digital media to help inspire millions around the world to dream big and reach for their own stars. TMG also leverages digital media to excite and educate people about the importance of STEM and space to the future of humankind.
• United for Peace and Justice (UFPJ) has since 2003 worked to build a movement that raises local voices for peace and justice to a global level. UFPJ is working to support peaceful and diplomatic solutions to the crises in Syria and Yemen, end the occupations of Iraq, Afghanistan, and Palestine, promote nuclear disarmament, oppose the permanent war economy, redirect money from weapons and war to meet human needs, and make the peace movement a powerful ally with the movements for racial and environmental justice.
• Working Artists and the Greater Economy is a New York-based activist organization founded in 2008. Our mission is to establish sustainable economic relationships between artists and the institutions that contract our labor, and to introduce mechanisms for self-regulation into the art field that collectively bring about a more equitable distribution of its economy.

Providing Aid to People in Immediate Need

• Broadway Cares/Equity Fights AIDS helps men, women and children across the country and across the street receive lifesaving medications, health care, nutritious meals, counseling and emergency financial assistance. They are one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. By drawing upon the talents, resources and generosity of the American theatre community, since 1988 Broadway Cares/Equity Fights AIDS has raised more than $300 million for essential services for people with HIV/AIDS and other critical illnesses in all 50 states, Puerto Rico and Washington DC.
• COPE is a nonprofit grief and healing organization dedicated to helping parents and families living with the loss of a child.
• Fund Texas Choice (FTC) is a non-profit organization that pays for Texans’ travel to abortion clinics. FTC was formed in response to the passage of Texas House Bill 2, which closed nearly 75% of over 40 Texan clinics in 2013 and 2014. The closures were primarily in rural and low-income areas of the state, necessitating cost-prohibitive, time-wasting, and geographically-difficult travel for groups already facing financial obstacles to abortion. Fund Texas Choice helps Texans equitably access abortion through safe, confidential, and comprehensive travel services and practical support.
• Heart of Dinner (HoD) exists to combat food insecurity and isolation within NYC’s elderly East Asian American community. HoD does this by delivering care packages of hot lunches and fresh produce every Wednesday, lovingly paired with a handwritten and illustrated letter in their native language to bring warmth and comfort.
• National Alliance on Mental Illness (NAMI) is the nation’s largest grassroots mental health organization dedicated to building better lives for the millions of Americans affected by mental illness. NAMI works in communities to raise awareness and provide support and education that was not previously available to those in need. NAMI provides advocacy, education, support and public awareness so that all individuals and families affected by mental illness can build better lives.
• The Palestine Red Crescent Society (PRCS), officially founded in December 1968, caters to the health and welfare of Palestinians in the West Bank, Gaza, and refugee camps in surrounding countries. With more than 4,000 employees and 20,000 volunteers, the group provides Emergency Medical Services (EMS) in times of conflict, as well as preventative, curative and rehabilitative health care. PRCS is a non-government organization that adheres to the principles of the International Federation of Red Cross and Red Crescent.

Thank you!

We are so grateful to this community that made our first in-person play since the pandemic possible. Thanks to you, we sold out every show!

We have so many wonderful artists who worked on this production to thank, and we couldn't recommend them highly enough! If you’re looking for a talented artist to work with, please reach out to us. We’d be happy to connect you.

Thank you to our incredible playwright, Andy Boyd! Andy has so many wonderful plays and you can learn more about them here.

Thank you to the superhero performers Julie Cai, Christopher DeSantis, Alec A. Head (and his band Ghostbound!), Regina Romero, Fernando Vieira, and our musician Emily Johnson-Erday!

Thank you to our incredible designers Dan Stearns and Andrea Lynn for creating the world of Occupy Prescott.

Thank you to our remarkable stage manager Cody Hom, without whom we would have been totally lost!

Thank you to our amazing dramaturg Al Parker, whose insight and rigor brought great depth to the show. Al is also very involved with The Parsnip Ship, a theater company we love and encourage you to check out.

Thank you so much to our photographer Shubhra Mishra, who’s incredible photos are now on our website for your viewing pleasure.

Thank you to our press and marketing queen Charlotte Dow, whose hard work resulted in not only a sold-out run, but also a review, a playwright interview, and a podcast interview for the show.

Thank you to our ticketing queen Fatemata Krubally for welcoming our audiences with grace and great organization!

Thank you to the Jalopy Tavern (and Theater)! Thank you Talia, Lynette, Geoff, Christine, Anthony, Cole, Sam, Josh, Lauren, and Jackson. Jalopy is truly an incredible community and venue. We hope you’ll check out their other activities including the Brooklyn Folk Festival which starts soon.

Thank you to the artists who helped develop Occupy Prescott over the years. Thank you Matt Barbot, Toney Brown, Nora Casey, Danny Erickson, Stephen Foglia, Willie Johnson, Susan Kim, Katherina Peña, Haleh Roshan, and Philip Santos Schaffer!

Thank you Thank you Kiki Senkita El, Jimmy Fay, Rick Fudge, Diana Levy, and Jacob Marx Rice for being dear friends and allies to Theater in Asylum.

Thank you to the City Artist Corps, to ART/NY, Materials for the Arts, Pete’s Candy Store, Shanghai Theater Academy, and Trunk Space for the institutional support that made this show possible.

and finally

Thank YOU. Thank you audience members, thank you Cold Readers, thank you friends, thank you Theater in Asylum community. None of this would have been possible, or worth it, without you. Thank you for bringing meaning and possibility to Theater in Asylum’s work.

Love and gratitude,
Paul, Katie, Kathryn, and Hilarie
Theater in Asylum