Faust is the story we need right now.12/14/2024 Dear Friend, As 2024 comes to a close, we feel immense gratitude for the community that makes Theater in Asylum’s work possible. Thank you for propelling our spaces to be vibrant springboards for new research- and ensemble-driven theater! Last year, your support made so much possible. In 2024, we:
Becoming a 501(c)(3) As you may remember, this was the major project we fundraised for last year, and the support you generated for this goal has been invaluable. Although the process is not yet complete, we hope it will be soon. Here’s what we’ve done so far:
Once the 501(c)(3) process is complete, we plan to properly launch our fundraiser (complete with Rick’s famous chocolate rye cookies). This will coincide with 2025 being our 15th anniversary! Looking to 2025As we enter a new year, we hope you’ll support Theater in Asylum, either once or as a monthly donor. With your support, 2025 will include:
Our focus in 2025: FAUST
The journey to create our next show began this year with an investigation of hope and where it comes from. How does someone remain hopeful when global leadership fails us and the siren call to nihilism sings all around? To us, the siren call began to look like a Mephistophelean offer once we read Goethe’s Faust, Marlowe’s Doctor Faustus, and Ed Simon’s The Devil’s Contract. We now see Faustian bargains are all around us as we continually encounter human suffering, and are asked to ignore it. ‘Fill your car and heat your home with fossil fuel.’ ‘Scroll here, click accept.’ ‘Walk past that unhoused person.’ ‘The world’s gone wrong, so just worry about yourself.’ Is it possible to survive these bargains with our moral compass and empathy intact? Faust is the story we need right now. The story follows a man who chooses to worry only about himself, making a deal with the devil, Mephistopheles, wherein his one and only soul is traded for power. But for how long can Faust—and we—escape payment? Can we repent, as Faust does in the Goethe version during his descent to Hell? With payment deferred in many bargains—most glaringly: climate change—what would repentance and repair even look like? How do we survive and make a better world when Mephistopheles is all around, tempting us with false power and the illusion of the “self-made man”? Who is Faust today? We posit that all of us are. We are all susceptible to the damnation that comes with the American worship of individualism. Yet, we assert, we are also all capable of repentance, reparation, and revolution. We, as a community and as a society, are bound to each other for worse and for better. We are each other’s best hope for survival, for thriving. That’s become the focus of Theater in Asylum’s next play. We presented the first experiment of this piece at The How to Survive the End of the World Cabaret. In 2025, we will explore the Faust myth even further, reading adaptations by Thomas Mann, Gertude Stein, and Vaclav Havel, among others. We will present a new short piece at our 2025 cabaret and also share a developmental workshop at the end of the year. We look towards premiering the full piece in 2026. We are so grateful for all that’s been made possible these past 14 years, and we look ahead to 2025 with eagerness and hope. Thank you so, so much. Peace, power, and love to you, Paul, Katie, Kathryn, and Theater in Asylum
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Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.
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