THEATER IN ASYLUM

2025 Year in Review

12/22/2025

 
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Thank you to everyone who made our 15th year a success! We accomplished great deal and could not have done it without this  community. Below, we will review some of our activities of the year. You can also catch up on our crowd-sourced lists of art we loved this year (film & television, music, books, theater). If you're in a position to do so, please consider making a year-end donation to support our work in 2026. Once again, thank you!

Reflections
Research & Artistic
2025 was a busy year of development. Faust continues to be our obsession. A year ago, the piece honed in on a binary between heaven as solidarity and hell as being alone. The piece has continued to evolve to focus on violence, arrogance, and hubris. When war, genocide, and empire continue despite all our peaceful efforts to end them, what other tactics might one turn to? What spurs the resistance fighter? What spurs the violent oppressor? How does someone move to take brutal action, even if it is toward a noble cause? These questions are troubling, and continue to drive our research and development.

2025 began with the first full-length reading of the then untitled Faust project. Come summer, we dug deeper into the material with two workshops: one focused on the script, one focused on staging that incorporated puppets. Towards the end of summer, a title emerged: Faust Syndrome. We believe Faust isn’t a singular phenomenon, but a syndrome that has afflicted people and societies for millenia. Throughout the year, our Cold Readings series continued to be a lively source of inspiration. We read nine plays throughout the year, mostly based on the Faust myth.

In November, we presented a 20-minute excerpt of the piece at The 7 Deadly Sins Cabaret, alongside four other new pieces by artists in our community. TIA’s piece featured John, the first of multiple Fausts in Faust Syndrome. After having agreed to Mephistopheles's deal, John wakes from his first good night of sleep ever and is led by Mephistopheles on a tour of the original seven deadly sins, along with three newer sins. The scene ends with John encountering the new sin Callousness, which will make possible the violence John will later commit in the play. The excerpt featured beautiful puppets by Sean Devare, operated by Francine Pinheiro, and was our first foray into the medium. We are toying with the idea that people in Faustian bargains transform into puppets for the Devil (progressively more susceptible to the manipulation). The Cabaret was a great success, not just for TIA but for all the artists presenting. The feedback from the audience was thrilling, and we look forward to implementing the feedback and getting this story closer to production in 2026.

Organizational
As you surely know at this point, Theater in Asylum is moving to become a nonprofit 501(c)3. On June 29, 2025, we submitted our “1023” documentation to the IRS to make this change. Unfortunately, the IRS website has stated for five months: “If you submitted after Feb. 26, 2025: Your application has not yet been assigned. Please check back later. Don’t contact us at this time because we can’t provide a status of your application.” We are at a loss. Can it be true that no new nonprofits have been approved in almost a year? We continue to operate in our current structure and prepare for the eventual day we become a 501-c-3.

Financial
The year is almost over, and overall we had a positive year financially. We are ending in the black, with money saved up to fund next year’s production year. For Theater in Asylum, production years typically cost three to four times more than non-production years. Early next month, we will close the books on 2025 and will publish our annual transparency report. 

Looking Ahead
2026 will be a big  year for us, with our largest production yet: Faust Syndrome. We are very close to securing a venue for a Fall 2026 premiere, and plan to perform the show ,for three weeks. At some point in the year, we hope to officially become a nonprofit,  which in turn will necessitate a large administrative reorganization. There’s a lot on our plate, but we’re eager to dig in!

2025’s Major Events and Projects
FAUST SYNDROME
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Workshop photos by Diana Zuluaga
  • What | Our next big project now has a title: Faust Syndrome. We continue to be obsessed with the classic myth, and the foundation of our next production has become the assertion that Faust is not just a character from long ago, happening only once in each adaptation —  no, Faust is a syndrome, an affliction that has found many victims throughout time. Our play looks at our time, and those susceptible to Mephistopheles’ brutal bargain. The piece has developed a lot through the year and now includes puppetry. We look forward to next year with immense excitement!
  • When | March 29, 2025 - First full, closed reading of our Faust project; June 17-18, 2025 - Faust script workshop; August 4-8, 2025 - Faust staging workshop; November 20, 2025 - scene presentation at The 7 Deadly Sins Cabaret
  • Where | The Episcopal Actors’ Guild and The Jalopy Theater
  • Who | Paul Bedard led the writing, Katie Palmer led the direction, and our team of collaborators this year included Jessie Atkinson, Rachel Casparian, Sean Devare (puppets!), Jesse B. Koehler, Adin Lenahan, Francine Pinheiro, and Arisael Rivera.
  • Result | We received great feedback which we applied to our work on The 7 Deadly Sins Cabaret.

The 7 Deadly Sins Cabaret
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Photos by Abby Burris
  • What | A night of new works exploring the seven deadly sins
  • ​When | November 20, 2025
  • Where | The Jalopy Theater, Brooklyn
  • Who | Featuring new work by Theater in Asylum, Ms. Zilbert, Parnia "Nyx” Ayari, Jayda Jones, and Gil Verrelli, plus the Party Piano Band
  • Artist prompt | Pride. Greed. Wrath. Lust. Envy. Gluttony. Sloth. These seven impulses have endured in the human imagination for thousands of years. What do they mean now? Are they sins? Are they deadly? Are they escapable?
  • # of Artists | 18
  • Attendees | 160 (60 in-person, with an additional 100 streaming online).
  • TIA’s contribution to the cabaret | Theater in Asylum presented an excerpt from our larger Faust project, a scene in which a wavering Faust is introduced to the seven deadly sins personified. When the original seven fail to entice, Mephistopheles brings our three newer sins, which have plagued our modern world. This was TIA’s first major foray into puppetry, a long-desired goal since Paul began working with the Bread & Puppet Theater in 2018. Sean Devare designed 7 puppets (one for each classic deadly sin) and 3 masks (for each new sin). We are so proud of the piece and can’t wait to bring it back to the larger Faust project.
  • The result | The cabaret was a great success. We filled the Jalopy Theater and folks stayed long into the night discussing the work next door at the Jalopy Tavern. The pieces were so different from each other, yet unified in theme. Cabaret wonder Ms. Zilbert opened the night with a collection of lusty songs including the Bee Gee’s “Stayin’ Alive.” Gil Verrelli brought a Punch and Judy puppet show in which Punch dresses in women’s clothes and explores Lust. Parnia Nyx Ayari’s Cans personified the sins, similarly to TIA’s piece, but taking a completely different track (looking at how sins check each other). Jayda Jones’s piece explored Pride and our relationship with internet visibility. The whole night, Ali Dineen and the band sang songs of greed,lust, and power.

​Cold Readings
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Another great year for Cold Readings! 
  • What | This program, which gathers our community to read and discuss a published play cold (without rehearsal), aims to spur theater literacy and a confidence in speaking about theater. This year we read 7 plays, including 5 adaptations of Faust, and 1 musical. 1 reading was guest-facilitated, with 6 by TIA staff. Our oldest play was written in 1592 and our newest was from 2018.
  • When | We read in January, February, March, April, May, September, and October 2025.
  • Where | Most were at the Episcopal Actors’ Guild with an option to attend via Zoom.
  • Who | Our Cold Readings averaged 10 attendees per reading this year.
  • What We Read | This year, we continued looking at adaptations of the Faust myth with a few general plays on religious themes towards the end of the year.
  • Amplifying Good Work | As always, we used our Cold Readings program to amplify the good work of other organizations. You can see all these organizations in our Giving Tuesday post here.

Book Club
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  • What | This year we gathered to read Ed Simon’s Devil’s Contract: The History of The Faustian Bargain as part of our larger investigation into the Faust myth. The book chronicles society’s relationship to devil’s bargains, from the first century’s Simon Magus through today’s dilemma over artificial intelligence.
  • Who | We had about 10 people join us at this book club.
  • When | January 8, 2025
  • Where | We met on Zoom.

2025 Timeline
  • January 8 - Book Club: The Devil’s Contract by Ed Simon
  • January 11 - TIA Holiday Party
  • January 22 - Cold Reading
  • February 19 - Cold Reading
  • March 19 - Cold Reading
  • March 29 - First full reading of our Faust project
  • April 16 - Cold Reading
  • May 14 - Cold Reading
  • June 17-18 - Faust script workshop
  • August 4-8 - Faust staging workshop
  • August 18 - Fundraiser launch
  • September 24 - Cold Reading
  • October 29 - Cold Reading
  • November 5-16 - Faust cabaret rehearsals
  • November 20 - The 7 Deadly Sins Cabaret

2025 by the Numbers
  • Event attendees: approximately 320
  • 2025 Donors: 118
  • Paid artists: 41
  • Paid full-year staff: 4
  • Admin meetings: 41
  • Cold Readings: 7
  • Rehearsal Hours: 35
  • Live performances: 1

Previous Years in Review
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • A review of our first 10 years (2010-2019)
  • More about Theater in Asylum

​Thank you!
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THEATER we loved in 2025

12/10/2025

 
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Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of theater our community loved in 2025.

Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026.
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A scene from Boxcutter Collective’s production of Dimension Zero, created by the Boxcutter Collective at HERE (photo by Richard Termine).
  • Arborlogues at The Cell (co-created by Dan Daly!)
  • As You Like It (directed by Arisael Rivera!)
  • Cabaret at the Kit Kat Club on Broadway
  • Chess on Broadway
  • Dimension Zero at HERE (created by our friends at The Boxcutter Collective)
  • Emma at the Rose Theatre
  • English on Broadway
  • Evita on the West End
  • Fat Ham at Virginia Stage Company
  • Faust (Opera by Gounod) at Baruch
  • Glass. Kill. What if if only. Imp. (Caryl Churchill shorts) at The Public
  • The Gospel at Colonus at Little Island
  • Hot Wing King at Denver Center for Performing Arts
  • Hurricane Diane at Hartford Stage
  • Kowalski at The Duke
  • John Proctor is the Villain on Broadway
  • Liberation on Broadway
  • Lights Out at NYTW
  • Lincoln Bio at Brick Aux (created by Adin Lenahan!)
  • The Loneliness of Either/Or, a Requiem for Joan of Arc at Ars Nova (created by Ali Dineen!)
  • Manifest Destiny at Teatro Latea (featuring Jesse B. Koehler!)
  • Mexodus at Minetta Lane
  • My Neighbor Totoro on the West End)
  • Meet the Cartozians at Second Stage
  • Octet at the Hudson Valley Shakespeare Festival)
  • Old Friends at MTC
  • Operation Mincemeat on Broadway
  • Bread & Puppet’s Our Domestic Resurrection Revolution in Progress Circus at the Old Stone House (featuring Paul Bedard!)
  • Practice at Playwrights at Playwrights Horizons
  • Prince Faggot at Playwrights Horizons
  • Ragtime at Lincoln Center
  • Stories Will Not Mend This Broken World at Brick Aux (written by Willie Johnson!)
  • Tiler Peck and Friends at City Center
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Paul as Lucifer in Bread & Puppet's Circus (photo by Queenie Si)
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The view from Arborlogues (photo by Dan Daly)
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Stories Will Not Mend This Broken World at Brick Aux (photo by Ryan Prado)
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BOOKS we loved in 2025

12/10/2025

 
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Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of books our community loved in 2025.

Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026.
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Fiction
  • All Fours by Miranda July
  • The Charioteer by Mary Renault
  • David Copperfield by Charles Dickens
  • Demon Copperhead by Barbara Kingsolver
  • Doctor Faustus by Thomas Mann
  • Entitlement by Rumaan Alam
  • The Faggots and Their Friends Between Revolutions by Larry Mitchell and Ned Asta
  • James by Perceval Everett
  • Last Night at the Telegraph Club by Malinda Lo
  • The MaddAddam Trilogy by Margaret Atwood
  • Martyr! by Kaveh Akbar
  • The Past Is Red by Catherynne M. Valente
  • The River Has Roots by Amal El-Mohtar
  • Rouge by Mona Awad
  • The Spirit Bares its Teeth by Andrew Joseph White
  • Shuggie Bain by Douglas Stuart
  • The Spear Cuts Through Water by Simon Jiminez
  • Stories of Your Life and Others by Ted Chiang
  • The Tainted Cup by Robert Jackson Bennett
  • Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
  • Trespasses by Louise Kennedy
  • Yellowface by R.F. Kuang
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Nonfiction
  • 107 Days by Kamala Harris
  • 1929 by Andrew Ross Sorkin
  • Ambition Monster by Jennifer Romolini
  • Everything is Tuberculosis by John Green
  • The Fantasy and Necessity of Solidarity by Sarah Schulman
  • Fire in Every Direction by Tareq Baconi
  • How To Make Money in Any Market by Jim Cramer
  • Language City by Ross Perlin
  • Laziness Does Not Exist by Devon Price
  • One Day, Everyone Will Have Always Been Against This by Omar El Akkad
  • Strangers Drowning by Larissa MacFarquhar
  • Things Become Other Things by Craig Mod
  • The War of Art by Steven Pressfield
0 Comments

FILM & TV we loved in 2025

12/10/2025

 
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Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of film & TV our community loved in 2025.

Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026.
Films
  • Challengers
  • Chronology of Water
  • Hamnet
  • Inside Llewyn Davis
  • K-Pop Demon Hunters
  • Kneecap
  • Leave The World Behind
  • Memoir of a Snail
  • The Menu
  • My Old Ass
  • One of Them Days
  • A Real Pain
  • Superman (2025)
  • Sinners

TV
  • Andor on Disney Plus
  • Doctor Odyssey on Hulu
  • Severance on Apple TV
  • The Pitt on HBO Max
  • The Studio on Apple TV
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Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.

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