2025 Year in Review12/22/2025 Thank you to everyone who made our 15th year a success! We accomplished great deal and could not have done it without this community. Below, we will review some of our activities of the year. You can also catch up on our crowd-sourced lists of art we loved this year (film & television, music, books, theater). If you're in a position to do so, please consider making a year-end donation to support our work in 2026. Once again, thank you! Reflections Research & Artistic 2025 was a busy year of development. Faust continues to be our obsession. A year ago, the piece honed in on a binary between heaven as solidarity and hell as being alone. The piece has continued to evolve to focus on violence, arrogance, and hubris. When war, genocide, and empire continue despite all our peaceful efforts to end them, what other tactics might one turn to? What spurs the resistance fighter? What spurs the violent oppressor? How does someone move to take brutal action, even if it is toward a noble cause? These questions are troubling, and continue to drive our research and development. 2025 began with the first full-length reading of the then untitled Faust project. Come summer, we dug deeper into the material with two workshops: one focused on the script, one focused on staging that incorporated puppets. Towards the end of summer, a title emerged: Faust Syndrome. We believe Faust isn’t a singular phenomenon, but a syndrome that has afflicted people and societies for millenia. Throughout the year, our Cold Readings series continued to be a lively source of inspiration. We read nine plays throughout the year, mostly based on the Faust myth. In November, we presented a 20-minute excerpt of the piece at The 7 Deadly Sins Cabaret, alongside four other new pieces by artists in our community. TIA’s piece featured John, the first of multiple Fausts in Faust Syndrome. After having agreed to Mephistopheles's deal, John wakes from his first good night of sleep ever and is led by Mephistopheles on a tour of the original seven deadly sins, along with three newer sins. The scene ends with John encountering the new sin Callousness, which will make possible the violence John will later commit in the play. The excerpt featured beautiful puppets by Sean Devare, operated by Francine Pinheiro, and was our first foray into the medium. We are toying with the idea that people in Faustian bargains transform into puppets for the Devil (progressively more susceptible to the manipulation). The Cabaret was a great success, not just for TIA but for all the artists presenting. The feedback from the audience was thrilling, and we look forward to implementing the feedback and getting this story closer to production in 2026. Organizational As you surely know at this point, Theater in Asylum is moving to become a nonprofit 501(c)3. On June 29, 2025, we submitted our “1023” documentation to the IRS to make this change. Unfortunately, the IRS website has stated for five months: “If you submitted after Feb. 26, 2025: Your application has not yet been assigned. Please check back later. Don’t contact us at this time because we can’t provide a status of your application.” We are at a loss. Can it be true that no new nonprofits have been approved in almost a year? We continue to operate in our current structure and prepare for the eventual day we become a 501-c-3. Financial The year is almost over, and overall we had a positive year financially. We are ending in the black, with money saved up to fund next year’s production year. For Theater in Asylum, production years typically cost three to four times more than non-production years. Early next month, we will close the books on 2025 and will publish our annual transparency report. Looking Ahead 2026 will be a big year for us, with our largest production yet: Faust Syndrome. We are very close to securing a venue for a Fall 2026 premiere, and plan to perform the show ,for three weeks. At some point in the year, we hope to officially become a nonprofit, which in turn will necessitate a large administrative reorganization. There’s a lot on our plate, but we’re eager to dig in! 2025’s Major Events and Projects FAUST SYNDROME Workshop photos by Diana Zuluaga
The 7 Deadly Sins Cabaret Photos by Abby Burris
Cold Readings Another great year for Cold Readings!
Book Club
2025 Timeline
2025 by the Numbers
Previous Years in Review Thank you!
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THEATER we loved in 202512/10/2025 Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of theater our community loved in 2025. Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026.
BOOKS we loved in 202512/10/2025 Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of books our community loved in 2025. Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026. Fiction
Nonfiction
FILM & TV we loved in 202512/10/2025 Each year, Theater in Asylum releases a list of plays, books, movies, and more that delighted us, challenged us, and changed us. Below is a crowd-sourced list of film & TV our community loved in 2025. Thank you to the community who made and loved art this year! Please consider donating to Theater in Asylum so we can keep it going in 2026. Films
TV
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January 2026
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Theater in Asylum (TIA) is a New York-based theater company founded in 2010 to challenge and empower our community. TIA joyfully pursues a rigorous research and an ensemble-driven approach to theater-making. We create performances to investigate our past, interpret our present, and imagine our future. We prize space to process, space to question—asylum—for ourselves and our community.
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